Sleeve date: March 1963 / EMI Vault date: April 1, 1963ĮMI Vault date: JRe-issued later with brackets on black/rainbow labelĮMI Vault date: April 1963 - Stereo copies came with the green inner sleeve, packed in loose plastic wrap with a red and white «stereo» sticker attached to the plastic. The colour was changed because the yellow text was hard to see. Later stereo covers have titles in dark blue text instead of yellow text. Sleeve date: March 1963 / EMI Vault date: JDot on top seem of sleeve becomes standard on 6029 and later. Sleeve date: January 1963 - No dot on top seem Sleeve date: February 1963 - Black and white inner sleeve, no dot on top seem) Reissued in the 70s on the green budget label as SN 66033 Sleeve date: January 1963 - No dot on top seem. Sleeve date: January 1963 - Brother and sister twins from Belfast, recorded in England, with Michael Collins and his Orchestra, no dot on top seem. How Great Thou Art - Hymns For The Family Sleeve date: April 1962 - Promo disc, 1-sided LP, with sleeveįeatures «My Boomerang Won’t Come Back». ++ THIS WAS THE FIRST STEREO RELEASE ON THE 6000 SERIES)++. This LP is the first to have the label formats switch from the «vertical» Capitol label format with the Capitol logo at the left hand side to the regular black/rainbow format with the Capitol logo at the top of the label, No dot on the top seem.Ĭanadian recording.
#33 rpm albums series#
Last 6000 series issue with the Vertical label, No dot on the top seem The Boys Of The Old Brigade / A Song For Everyone pictured here is a reissue on the later, more common label. Inner sleeve, loose plastic wrap, Opera arias Puccini,Dvorak. Vertical label format, No dot on the top seem. EMI Vault date: JIncludes Mad Dogs & Englishmen.īrendan O’Dowda With Norrie Paramor And His Orchestra
Noel Coward and Gertrude Lawrence (aka «Noel And Gertie»)ĭot on top seem, Vertical label. Gold/white «.a word about HIGH FIDELITY» inner sleeve, loose plastic wrap. Vertical label format, first appearance of the dot on the top seem in the 6000 series. Same sleeve as UK Columbia LP, Vertical label, no dot on the top seem
Re-issued on budget series in 1970s as M-6003 on yellow label - The sleeve uses the new rounded Capitol logo NOTE: two versions of the cover exist early versions have the title text «Freddy Gardner» in multi-colour text, and was changed to all red text because it was difficult to read. The record was housed in a white and gold "a word about stereo" inner sleeve.īritish reed player, instrumentals, 4 cuts per side all taken from old 78s. The cover has a different printer's logo that looks like an old version of the Parr's logo 1960. Therefore 33 RPM points both to the medium (vinyl) and to the time (33+/- years between the old/new pieces) over which the above musical transformation took place.Some covers were laminated while other copies had "regular" covers, no dot on the top right, vertical label. Side A addresses solo pieces with accompaniment (from 80's prerecorded tape to current electronics) while side B is rougher, stripped in nature and more suggestive of a "live in the studio" sensation. On one hand contemporary by the recontextualization of such material while at the same time nostalgic by its offering of a familiar cradling musical sensation from the past.Īnd with nostalgia, what's better (besides the sonic quality) than enjoying the music on vinyl, resonating the above ideas both in format and listening manner with two very distinct sides. These I find fascinating as they hold a double (almost contradicting) quality. Binding it all together is my ongoing interest in nostalgia, here taking shape in the presence of harmonies which could roughly be categorised as tonal or modal. At the same time a central idea was to counterpoint such classics with recent creations to reveal something of the aesthetic, instrumental and idiomatic change that has taken place in New Art Music for electric guitar. For a long time I have wanted to tackle canonic repertoire and offer my perspective on certain works.
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